Theres an experience in the middle on the War on Drugs audio called the crossover:
the point when one moment folds into another. You’ll be able to notice it in many of the tunes. Sometimes its evoked within their steady-marching swells, that could seem like the final sliver of roof fading out-of-focus in U-Hauls rearview echo, and/or finally flicker of candlelight atop a birthday meal. Frequently it’s much more literal: the idea whenever Adam Granduciel sings his final term additionally the songs large, several-minute-long outro starts.